Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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William-Adolphe Bouguereau
L'Art et la Litterature

ID: 92594

William-Adolphe Bouguereau L'Art et la Litterature
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William-Adolphe Bouguereau L'Art et la Litterature


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William-Adolphe Bouguereau

(November 30, 1825 - August 19, 1905) was a French academic painter. William Bouguereau was a traditionalist whose realistic genre paintings and mythological themes were modern interpretations of Classical subjects with a heavy emphasis on the female human body. William-Adolphe Bouguereau was born in La Rochelle, France on November 30, 1825, into a family of wine and olive oil merchants. He seemed destined to join the family business but for the intervention of his uncle Eugene, a Roman Catholic priest, who taught him classical and Biblical subjects, and arranged for Bouguereau to go to high school. Bouguereau showed artistic talent early on and his father was convinced by a client to send him to the École des Beaux-Arts in Bordeaux, where he won first prize in figure painting for a depiction of Saint Roch. To earn extra money, he designed labels for jams and preserves  Related Paintings of William-Adolphe Bouguereau :. | Familia indigente | The Little Knitter | Girl with a pomegranate | Depiction of a soul being carried to heaven by two angels | Modestie |
Related Artists:
Manuel Cabral Y Aguado Bejarano
Spanish , 1827-1891
MIGNON, Abraham
Dutch Baroque Era Painter, 1640-1679 Dutch painter, was born at Frankfurt. His father, a merchant, placed him under the still-life painter Jacob Marrel, by whom he was taken to the Netherlands about 1660. He then worked under Jan Davidszoon de Heem at Utrecht, where in 1675 he married the daughter of the painter Cornelis Willaerts. Sibylle Merian (1647-1717), daughter of the engraver Matthew Merian, became his pupil and achieved distinction as a flower painter. He died at Utrecht. Mignon devoted himself almost exclusively to flowers, fruit, birds and other still-life, though at times he also attempted portraiture. His flower pieces are marked by careful finish and delicate handling. His favourite scheme was to introduce red or white roses in the centre of the canvas and to set the whole group of flowers against a dark background. Nowhere can his work be seen to better advantage than at the Dresden Gallery, which contains fifteen of his paintings, twelve of which are signed. Six of his pictures are at the Louvre, four at the Hermitage, and other examples are to be found at the museums of Amsterdam,
sir herbert edwin pelham hughes-stanton,r.a.,p.r.w.s.
1870-1937






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